The Oscar’s ‘Meta-Film’ Bias and What This Says About Human Nature
For the third time in four years, the Oscar for Best Picture has gone to a film about film — a “meta-film” if you will. In 2011, The Artist examined film and art from behind the scenes and last year, Birdman did the same with a darker edge.
The 2012 best picture went to Argo prompting Stephen Colbert to incisively comment, “Big surprise, Hollywood honors the film where Hollywood is the hero.” Notably, the only recent year without a meta-film winner, 2013, was also the only year without a meta-film in the Best Picture category.
If we wanted to, we could take this observation and ask the question: What does this say about the Academy? Then we could use this question as an excuse to gleefully criticize the Oscars for the duration of a news cycle.
But instead, why don’t we take this Academy bias and ask a harder question: Are we not all as biased as the Oscars?
The Oscars have always been a huge self-congratulating event. The event allows artistic elites to indirectly praise themselves by praising others and the magic of art. What’s important to remember, however, is that this self-congratulatory behavior is not confined to the —> Read More Here